2010: The Year We Make Contact (1984)
Genre Sci-Fi
Studio Warner Brothers
Series 2001
Movie Release Date 1984
Country USA
Language English
Audience Rating PG
Running Time 114 mins
Format DVD
Color Color
IMDb Rating 6.4
Cast
Roy Scheider Dr. Heywood Floyd
John Lithgow Dr. Walter Curnow
Helen Mirren Tanya Kirbuk
Bob Balaban Dr. R. Chandra
Keir Dullea Dave Bowman
Douglas Rain HAL 9000
Madolyn Smith Osborne Caroline Floyd
Dana Elcar Dimitri Moisevitch
Taliesin Jaffe Christopher Floyd
James McEachin Victor Milson
Mary Jo Deschanel Betty Fernandez, Bowman's Wife
Elya Baskin Maxim Brajlovsky
Saveli Kramarov Dr. Vladimir Rudenko
Robert Lesser Dr. Hirsch
Oleg Rudnik Dr. Vasili Orlov
Natasha Shneider Irina Yakunina
Crew
Director Peter Hyams
Writer Arthur C. Clarke
Writer Peter Hyams
Producer Peter Hyams
Producer Neil A. Machlis
Producer Jonathan A. Zimbert
Musician David Shire
Cinematography Peter Hyams
Plot
No director could ever have hoped to repeat the artistic achievement of Stanley Kubrick's 2001: A Space Odyssey, and nobody knew that better than Peter Hyams, who made this much more conventional film from the first of three sequel novels by Arthur C. Clarke. Whereas Kubrick made a poetic film of mind-expanding ideas and metaphysical mysteries, Hyams shouldn't be blamed for taking a more practical, crowd-pleasing approach. In revealing much of what Kubrick deliberately left unexplained, 2010 lacks the enigmatic awe of its predecessor, but it's still a riveting tale of space exploration and extraterrestrial contact, beginning when a joint American-Soviet mission embarks to determine the cause of failure of the derelict spaceship Discovery. Having arrived at Discovery near the planet Jupiter, the American mission leader (Roy Scheider) and his Russian counterpart (Helen Mirren) must investigate the apparent failure of the ship's infamous onboard computer, HAL 9000, as well as the meaning of countless mysterious black monoliths amassing on Jupiter's surface (an interpretation Kubrick originally left up to his viewers). Meanwhile, Earth is on the brink of nuclear war, and an apparition of astronaut David Bowman (Keir Dullea) appears to repeatedly promise that "something wonderful" is about to happen. --Jeff Shannon
Features
Anamophic
Color Closed-captioned
Personal Details
My Rating 7
Seen It Yes
Viewing Date 10/23/2009
Index 55
Collection Status In Collection
Purchase Date 1/18/2003
Purchase Price $7.88
Condition Excellent
Store Best Buy
Owner Thomas Eisenmann
Reviewed Widescreen Review
Bit Rate N/A
Anamophic Yes
Links IMDB
Amazon US
2010: The Year We Make Contact at Movie Collector Connect
Edition Details
Distributor Warner Bros.
Edition Warner Brothers
Barcode 012569505322
Region Region 1
Chapters 32
Release Date 8/22/2000
Packaging Snap Case
Screen Ratio 2.35:1
Subtitles English; French; Spanish
Audio Tracks ENGLISH: Dolby Digital 5.1 [CC]
FRENCH: Dolby Digital Surround
Layers Dual Side, Single Layer
No. of Disks/Tapes 1
Widescreen Review
Story Synopsis:
The space odyssey from “2001” continues in “2010”; the year we make contact. Based on the novel by Arthur C. Clark, an expedition team of Russian and American scientists set out for the moons of Jupiter to investigate the abandoned Discovery spacecraft and its sole known survivor, HAL 9000. “2010” dares to answer the probing questions left behind in Stanley Kubrick’s mysterious science fiction masterpiece.

DVD Picture:
The non-anamorphic DVD is framed at 2.35:1, and when compared to the LaserDisc reviewed in Issue 27, exhibits slightly sharper and more detailed images. Color fidelity exhibits better clarity and definition, and though fleshtones still appear brownish, colors are more vibrant with blacker blacks. Images are not marred by the LaserDisc’s apparent veil of haze. Still, this sequel doesn’t match up to the original.

Soundtrack:
The soundtrack is identical to the Dolby® Digital discrete 5.1 soundtrack on the MGM LaserDisc, and is improved in some respects over the matrix PCM Dolby® Surround version. The soundstage is more expansive and sweeping at times with a haunting music score and directional sound effects. Dialogue generally sounds natural though slightly muffled, and there are poorly integrated ADR-processed segments. Bass extension is deeper and more powerful with the added .1 LFE enhancement.